Jim Reed directs the award-winning Psychotronic Film Society of Savannah — presenting indie, foreign, classic and cult cinema year-round. Read more from Jim about Savannah’s film scene at filmsavannah.com.
There are a great many people who eagerly await each week’s issue of Do, and either receive it along with their regular Thursday copy of the Savannah Morning News or grab one from a nearby box or rack each Thursday morning.
If memory serves, the very first 45 RPM single I purchased with my own allowance money was a reissue of two classic sides from Memphis’ legendary Stax label: William Bell’s smash 1961 debut “You Don’t Miss Your Water” backed with Eddie Floyd’s original 1966 version of “Knock on Wood.”
How quickly time flies. This weekend marks the ninth year in a row that Armstrong State University’s French Club has presented one of the more uncommon and notable cinematic events in the greater Savannah area: the Francophone Film Festival.
I sat down with owner JinHi Soucy Rand for a frank discussion about what Muse has meant to her personally, and what — if anything — will become of the spirit of the space now that its physical form will soon cease to exist.
Those of you who could not view esteemed British filmmaker Nicolas Roeg’s arthouse classic “The Man Who Fell to Earth” last week missed a truly impressive and resoundingly potent motion picture experience.
It’s been more than a decade since the Joan and Murray Gefen Memorial Savannah Jewish Film Festival began, and over that span of time, this annual showcase of Jewish-themed cinema has slowly but steadily grown in both notoriety and scope.