Few science fiction films are as influential in terms of both their visual style and their approach toward storytelling as director Ridley Scott’s 1982 landmark piece of futuristic dystopian noir “Blade Runner.”
Part electronic dance music tutorial and part love letter to Los Angeles’ San Fernando Valley, “We Are Your Friends” is a surprisingly accessible and sweet story of a group of friends standing on the cusp of adulthood with big ambition and little direction.
Lucas Theatre follows up its recent Bruce Lee weekend with a two-night salute to one of the great American leading men of the 1950s through the 1980s: The late, great charismatic actor and polarizing celebrity Charlton Heston.
The likably awkward chemistry of Kristen Stewart and Jesse Eisenberg remains intact in “American Ultra,” a violent stoner action-comedy that’s half “Pineapple Express,” half “The Bourne Identity,” and not as good as either.
A movie about a wisecracking grandma and her teen granddaughter, racing around in a beat-up car to find $600 by nightfall. You might think it sounds like any number of mediocre road comedies out there, full of trite generational gags and sporting a sappy, all-is-forgiven ending.
The first year of college is an anxious time for anybody. The predictable framework of high school falls away, and a teenager who lived with her parents is suddenly a free-range semi-adult with her own dorm room and infinite decisions to make about who she will become.
There’s some interesting talk in the cleverly satisfying script of “Mission: Impossible — Rogue Nation” about the element of luck. As in: How much is luck a factor in the success of Ethan Hunt and his IMF cohorts?