Fifty years after Sidney Poitier upended the latent racial prejudices of his white date's liberal family in "Guess Who's Coming to Dinner," writer-director Jordan Peele has crafted a similar confrontation with altogether more combustible results.
Before you buy a ticket to see "John Wick: Chapter 2," the improbably fun sequel to the implausibly good "John Wick," you might want to ask yourself how much tolerance you have for gun shots to the head, because there are a lot of those in "John Wick: Chapter 2."
"I Am Not Your Negro" is inspired and informed by "Remember This House," an unfinished manuscript by James Baldwin in which he aspired to tell the story of America through the death of three friends — Medgar Evers, Malcolm X and Martin Luther King Jr.
Theodore Melfi's buoyant "Hidden Figures" is an old-fashioned feel-good movie with powerful contemporary relevance, spearheaded by a trio of unstoppable actresses playing black women who wouldn't be stopped.
Waking up. Making coffee. Walking to work. Talking to coworkers. Coming home. Walking the dog. Going to the bar. Repeating it all again. These are the mundane activities Jim Jarmusch's "Paterson " is made of.
In "Assassin's Creed," a death row inmate is saved by a shadowy organization because they need him to unlock the memories of his 15th century ancestor Aguilar to find the location of an apple that contains the genetic code to free will because Marion Cotillard wants to end violence ... or something.